Monday, November 29, 2010

three stories one stand-up

I recently did a review for the Winnipeg Jewish Review which I then submitted in a different form for my Journalism class. I thought it would be interesting to post three versions of this review: my original, the version posted by the Review, and the revised version for J class. Cheers!

Original:
THE MOST HILARIOUS DVAR TORAH I EVER HEARD

Joel Chasnoff, comedian and author, is a skinny guy with cropped grey hair and thick black glasses. He seemed nice, mild mannered. Not a suspect type if I were to hazard an initial impression. But he has a secret. Joel Chasnoff is a rabbi hiding in a comedian's clothing.

OK, OK, he's not really a rabbi but there was a good deal more to his stand-up act than first met the eye. On reflection, the show seemed like a dvar Torah: a funny, observant, illuminating, and unifying reflection on Jewish life.

The hour and a half performance, on the first Sunday night of the Tarbut festival at the Berney Theatre, rested on four pillars: the four ways to keep a child Jewish. Chasnoff who is a father himself, argues that summer camp, day school, youth groups, and going to Israel are the four ways to maintain a child's Jewish identity.

SUMMER CAMP: How do you know you are at a Jewish camp, asked Chasnoff. "If every table has three cartons of lactose intolerant milk at the table, you know you are at a Jewish camp."

DAY SCHOOL: He reminisced about his days playing intermural basketball in the Catholic league, "Not a game but a holy war."

YOUTH GROUPS: His grandparents emigrated to Corpus Christi, Texas, where they helped found a Jewish youth group. Chasnoff reflected on the absurdity of his Eastern European Jewish grandparents ending up in a city whose Latin name translates directly as the body of Christ.

GOING TO ISRAEL: He is the author of a memoir, The 188th Crybaby Brigade, which recounts his time served in the Israeli army. He joked that they mispelled his name on his dog tags. When he complained, he was told, "so don't die."

Chasnoff created some memorable characters: the Israeli who speaks in vowel, "eeeeeeeeee," and the diva cantor who elaborately elongates a one second response into a five minute aria. The audience responded strongly to Chasnoff's well developed, well performed characters.

There was a strong audience participation component to the show. After eliciting the names of Winnipeg Hebrew camps, he misheard (deliberately?) the name of Camp Massad and called it Camp Mossad. Chasnoff joked that like the Israeli intelligence organization, no one knows where it is. The 70 percent capacity, 140 person audience, seemed at ease; after some initial encouragement, they responded easily to his queries.

Chasnoff did not try to solve the problems of the universe; he's a comedian. He raised issues that Jewish communities the world over try to address: keeping your child Jewish, the identity of the modern Jew and the modern Israeli. The audience laughed, participated, and if the huddled, gesticulating groups at the end of the show were any indication, than the audience considered and discussed the issues as well. Evidence of a stimulating stand-up comedy show. Or a compelling dvar Torah.

Winnipeg Jewish Review:
OEL CHASNOFF AT RADY JCC'S TARBUT FESTIVAL: THE MOST HILARIOUS DVAR TORAH I EVER HEARD
By Michelle Palansky

Joel Chasnoff, the comedian and author who appeared at the Rady JCC’s Tarbut Festival of Jewish Culture on Sunday November 14, is a skinny guy with cropped grey hair and thick black glasses. He seemed nice, and mild mannered. Not a suspect type if I were to hazard an initial impression. But he has a secret. Joel Chasnoff is a rabbi hiding in a comedian's clothing.

OK, OK, he's not really a rabbi but there was a good deal more to his stand-up act than first met the eye. On reflection, the show seemed like a dvar Torah: a funny, observant, illuminating, and unifying reflection on Jewish life.

Overall, the hour and a half performance, held in the Berney Theatre, rested on four pillars: the four ways to keep a child Jewish. Chasnoff who is a father himself, argues that summer camp, day school, youth groups, and going to Israel are the four ways to maintain a child's Jewish identity.

SUMMER CAMP: How do you know you are at a Jewish camp, asked Chasnoff. "If every table has three cartons of lactose intolerant milk at the table, you know you are at a Jewish camp."

DAY SCHOOL: He reminisced about his days playing intermural basketball in the Catholic league, "Not a game but a holy war."

YOUTH GROUPS: His grandparents emigrated to Corpus Christi, Texas, where they helped found a Jewish youth group. Chasnoff reflected on the absurdity of his Eastern European Jewish grandparents ending up in a city whose Latin name translates directly as the body of Christ.

GOING TO ISRAEL: He is the author of a memoir, The 188th Crybaby Brigade, which recounts his time served in the Israeli army. He joked that they mispelled his name on his dog tags. When he complained, he was told, "so don't die."
He also gave the crowd a big laugh when spoke of Israeli in-laws coming to town. He said “She [his wife] calls it a “visit. I call it the occupation."

Chasnoff made many humourous references to other facets of Jewish life. Regarding Jewish food, Chasnoff described macaroons as “rolled in sawdust and glass.”" As for the holiday of Succot, he said Succot is Hebrew for "some assembly required."
He called Yiddish a combination of "Hebrew, German, and bronchitis." Chasnoff continued, "Yiddish is the only language where mucous is a vowel."
Chasnoff touched on the subject of Jewish guilt by saying “Thanks to my mother, "I don't go swimming, I go almost drowning."
As for marriage, he said “ Married for 12 years, feels like 19 with the windshield," and "Being married is like having the spell check on all the time."

When he moved to New York, Chasnoff said he moved into an orthodox apartment building. Chasnoff became the Shabbbas goy of the apartment. The Hasidim were forbidden to explicitly ask for anything, so every request had to be coded. One shabbat, a little old lady got into the elevator with him. She loudly explained that her grandson just turned five. Chasnoff complied and pushed the fifth floor button. Later in the day, he found himself again in the elevator with the same lady. He asked her if any of her other grandchildren had birthdays lately. She said yes, her granddaughter just turned Lobby.
On the subject of travelling to Winnipeg for the Tarbut festival, Chasnoff got big laughs when he said; “ Your [Rady JCC]coordinator, Tamar Barr told me to keep the plane ticket price as cheap as possible from New York to Winnipeg. I was happy to comply - It was a really short
layover in Vancouver.”
Chasnoff created some memorable characters: the Israeli who speaks in vowel, "eeeeeeeeee," and the diva cantor who elaborately elongates a one second response into a five minute aria. The audience responded strongly to Chasnoff's well developed, well performed characters.
There was a strong audience participation component to the show. After eliciting the names of Winnipeg Hebrew camps, he misheard (deliberately?) the name of Camp Massad and called it Camp Mossad. Chasnoff joked that like the Israeli intelligence organization, no one knows where it is. The approximately 150 people in the audience seemed at ease; after some initial encouragement, they responded easily to his queries.

Chasnoff did not try to solve the problems of the universe; he's a comedian. He raised issues that Jewish communities the world over try to address: keeping your child Jewish, the identity of the modern Jew and the modern Israeli. The audience laughed, participated, and if the huddled, gesticulating groups at the end of the show were any indication, then the audience considered and discussed the issues as well. Evidence of a stimulating stand-up comedy show. Or a compelling dvar Torah.

Chasnoff was a great choice for the Rady JCC’s Tarbut festival.
Michelle Palansky studies Creative Communications at Red River College. She has worked as a theatre instructor, an English teacher in Korea, and a puppeteer. She no longer does birthdays.
 Journalism
WE ARE ALL JEWS
Has your mother ever made you feel guilty? Did a religious ceremony ever feel never ending? Are you married with kids? If you answered yes to any of those questions, then you are Jewish enough to have attended Joel Chasnoff's stand-up act at the Rady Jewish Community Centre.

The 90 minute performance, on the first Sunday night of the Tarbut (Cultural) festival at the Berney Theatre, had enough general humour to entertain any denomination.

"Thanks to my mother I don't go swimming, I go almost drowning."

Chasnoff included the audience in his guilt sequence. The 70 percent capacity, 140 person audience, seemed at ease. After some initial encouragement, they responded easily to his queries. He had the house lights brought up and did a quick survey on the number of neurotic mothers in the audience. A surprising number of audience members outed themselves or had their partners out them. Hilarity ensued for the mature crowd.

Indeed, if anyone would have felt excluded from this performance, it would have been the under 30's set. The audience was mostly older couples. Going through the lobby, the audience was inundated with Jewish merchandise. Brightly lit spinning dreidels and Kosher cookbooks for the "hip" were some of the items featured. The display was geared to Jewish families, and this performance was inclined to the mommy and daddy crowd.

"Married for 12 years, feels like 19 with the windchill."

Marriage is not always easy, and a North American married to an Israeli is doubly difficult, explained Chasnoff. There are some unique challenges when your in-laws come from a country that is always at war. His wife calls it a nice visit with her family.

"I call it the occupation."

The author of a memoir, The 188th Crybaby Brigade, Chasnoff recounted his time served in the Israeli army. His name is misspelled on his dog tags. When he complained, the sergeant replied in a bored tone and a shrug of the shoulders, "so don't die."

The Israeli sergeant was one of many vivid characters Chasnoff created: the Israeli who speaks in only one vowel, "eeeeeeeeee," the diva cantor who elaborately elongates a one second prayer response into a five minute aria. The audience responded strongly to Chasnoff's well developed, well performed characters.

Completing his one-night run with a question and answer session, Chasnoff focused on his time in Israel, which launched a heated discussion of issues in modern day Israel. The audience was involved and argumentative.

In the end, Chasnoff did not try to solve the problems of the universe. He's a comedian. At $20 bucks a ticket, people were paying for laughs, and he did not disappoint. He developed universal themes of family and community. The audience laughed, participated, and if the huddled, gesticulating groups at the end of the show were any indication, then the audience considered and discussed as well. Evidence of a stimulating and successful stand-up comedy show, I would argue. But I'm Jewish, I argue about everything.










Monday, November 22, 2010

8 years? it only seems like 7!

This weekend Andrew and I celebrated 8 years together. What can I say? He's a messy optimist and I am a compulsively neat realist. We are an odd couple bound together by our love of sci fi and red hot chili peppers. Hey! We should make a sitcom. No one's thought of that before...Oh, no, wait, everyone's thought of that before.

Happy Anniversary Lover.

Wednesday, November 10, 2010

Business takes tweets seriously

The page this article comes from is a limited use site unless you register, so I just pasted the text.  It comes from IT World Canada, written by Vawn Himmelsbach

LAS VEGAS — Many companies are still struggling to come up with a social media strategy, let alone analyze those conversations and turn them into bottom-line benefit. In a survey of 2,100 companies, sponsored by SAS Institute Inc., 75 per cent of companies surveyed didn’t know where their most valuable customers were talking about them, and only 23 per cent use social media analytic tools.

At the SAS Premier Business Leadership Series, the company announced that SAS Conversation Center, which is designed to help companies capture tweets in real time and identify those that are significant to the company, brand or product, based on sentiment and influence of the tweeter, will be available in January 2011. Tweets can then be routed to customer-service reps.

Earlier this year SAS announced its Social Media Analytics tool, which brings together unstructured data such as RSS news feed, blogs and Facebook, and looks at sentiment over time.

Monster.ca is one company that sees value in analyzing this unstructured data. The company spent six years building up its business intelligence strategy in Canada, and now the Canadian model is being used in its subsidiaries across the globe. It’s using Base SAS, Enterprise Miner and SAS Stat for sales, marketing campaigns and customer service. So far, it’s increased customer retention by 15 per cent through its job posting optimizer, which was rolled out in 2007 to provide customers with value-added statistics.
 
But the impact of a bad customer service experience is even worse these days with social media, where a negative comment can be viewed by millions of people, said Jean-Paul Isson, vice-president of global BI and predictive analytics with Monster Worldwide Inc., based in Montreal. So his team is exploring social media analytics and putting together a project plan. For example, before they’d launch a new product, they’d include that analysis in their strategy.

“To survive, any forward-looking company should have a social media metric strategy in their business,” said Isson. Otherwise, they’ll “miss the bus.”

His team is also looking to analyze voice to text, in order to provide insight to the customer service organization. “It’s really about unstructured data,” said Isson. This includes text, voice and social media, but the challenge lies in differences between language and culture, even generational differences. For a Gen-Xer, saying “that’s sick” typically refers to something as disgusting, while a Millennial means that as a compliment.

But Isson says there’s still a lot of room to grow with structured data. Monster, which now operates in more than 55 countries, launched a subsidiary last month in Brazil and another this month in South Africa. While the company has a global framework for analysis, he says emerging economies are still at early stages of analytics, and they have to learn to ride a bike before driving a car.

Online travel reservation Web site Expedia Inc. is also exploring the concept of sentiment analysis and starting to apply it. In any given month, the company gets some 80,000 reviews. “We can diagram sentences, suck out sarcasm, and apply those same disciplines to what we see coming in on Twitter and our Facebook fan page,” said Joe Megibow, vice-president of global analytics and optimization with Expedia. “So if someone has an issue and posts some nasty comment, that we are in fact founded by the devil, we will respond privately to every one of those [types of comments].”

Clothing retailer Gap, for example, recently introduced a new logo and got “creamed” by customers, said Jim Davis, senior vice-president and chief marketing officer with SAS. Two years ago, Gap would have gone to a PR agency, launched the new logo and conducted a study over six to eight months — and by then it would have been too late. With social media, they found out immediately that customers hated the new logo and made an immediate adjustment.
But, Davis said, the social media feed is just another data source. Right now, there are many companies that offer views into sentiment, but he believes this phase will be short-lived and move toward something more actionable to try to move that sentiment needle.

Tom Davenport, author of Competing on Analytics and a professor at Babson College, agrees that social media analytics is just another channel. “As we do with our other channels, we have to evaluate what we do with it,” he said. “Social media is pretty good for customer service, but it’s not very good yet for selling anything. But even for customer service it’s not easy to analyze.” Sentiment analysis, for example, has to take into account sarcasm, language and cultural factors.
“So you better make sure you care about that feedback,” said Davenport. Comcast, a provider of cable services, is getting wonderful feedback for responding to tweets, he said, but they don’t have great customer service in other channels. “I call you up and I talk to you and you don’t respond to me — should I hang up and tweet about it?” he said, adding that anyone can tweet, whether or not they happen to be a Comcast customer. “You’ve got to give it the amount of attention that it really deserves.”

Monday, November 1, 2010

Excerpt: Black Friday


"Rabbi, how does one go about investigating a murder?"
"Ruthele, do you ask me this because I am your Baba's spiritual advisor, because I have the ear of G-d, or because you suspect evil doing and you are warning me that you are on to my scams?"
"Rebbe, you watch too much Dragnet. No, no I come to you 'cause everyone else is working."
"Oy, casual cruelty is the worst kind – look it up 575th commandment."
"I will."
"I know you will – if you came to synnagogue more and hung out with your commie cronies less, maybe your mouth wouldn't be so smart, and your heart would be more kind."
"OK Rebbe I give I give – I'll come to shul this Friday with Baba OK?"
"Good, now what is this nonsense about murder?"
"I wish it was nonsense. Do you remember my neighbour Lawson Ogg?"
"Oy, yes, the poor fellow who died in the flood."
"Well, I've been thinking about it and I don't think it was an accident. It just couldn't have been."
"This is a very serious thing you are saying. Do you have proof."
"Not a shred and it's been a year and I don't even know where to start and Baba says you are a crime expert after all your Dragnet so I thought maybe you would have some ideas."
"Phew – that is a tough order. Maybe you should go to your commie criminal friends about this one."
"They are not commies, and they are not criminals, we, I mean we are a legitimate political party."
"Fine,fine. When will one of these legitmate political party members make an honest woman out of you?"
"Rebbe!"
"I have to ask – that is my job. All right, call me Friday."
"The story you are about to hear is true; only the names have been changed to protect the innocent."

Author interview: Michael Nathanson

Michael Nathanson is the artistic director of Winnipeg Jewish Theatre. He is a Governor General nominated playwright and his new play, One of Ours, debuts this spring.

The plot of One of Ours is simple, reminiscent of Neil Simon’s Barefoot in the Park. A free-spirited, non-Jewish actor comes to West Hawk Lake to meet her fiancee's family.

Nathanson explains that the tension in One of Ours is not a religious tension but a class tension, a societal tension. It is the exploration of a free spirit grappling with the monied narrowness of a family who grew up in a Jewish fish bowl.

The play grapples with the inherent insularity of a small community, in this case the Jewish community. The central question of One of Ours is, “What does it mean to be a Jew and how do we deal with others?”

Review: The Tree Line, Kansas, 1934, by David Means

http://en.wikipedia.org/wiki/David_Means

David Means is an American writer based in New York. Many of his short stories have been published. Critics compare him to Raymond Carver and Alice Munro. He is a professor of English Literature, and he teaches at Vassar College.

http://www.newyorker.com/fiction/features/2010/10/25/101025fi_fiction_means?currentPage=all 

The Tree Line, Kansas, 1934, by David Means, appears in the October 25, 2010 issue of THE NEW YORKER.

David Means paints word pictures quickly, as though he must get them down before they vaporize. He shrinks time so deftly that 40 decades slide by without any resistance.

He tells a simple story of two FBI agents on a stake-out. It is the dynamics between the younger and older agents that intrigue. The older agent reads the weather and the landscape of the farm to determine when the fugitive might appear. The younger agent tries to form the world with words and misses the signs.

The phrasing creates a palpable tension, as the reader waits for the fugitive to appear around the tumbleweed, through an eerily quiet cat road.

Means pits the older, experienced agent against the horizon. The lawman admits that sometimes the horizon wins.

The older agent enumerates the facts he knows to be true: A, B, C... It is funny and right somehow that this is how he thinks, in tabs; it is the mind of a police officer.

It is a beautiful sad story, elemental in its theme of man against nature. The story does not seem worn but timeless. I loved it.

suck


 this is my new favourite Halloween/music parody movie suck
 It is a simple story of a down and out rock band that makes it big by turning into vampires.

At the end, I have more questions than answers:
Why does this movie not suck? It has all the right ingredients including, silly premise, terrible iconic rocker actors, ridiculous effects, but still I think this movie finds the exactly the right amount of suck.
The main actors are excellent, many of the prostheses are awesome, and Moby drips with meat blood (and he is a vegan).

Watch for Winnipeg boy Paul Anthony who is the bass player in the band.

Cameos abound including Alice Cooper, Iggy Pop, Malcolm McDowel, Dave Foley, and many many more.

Can not recommend this too strongly. Check it out.